By Mark C Russin
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The slight angle is somewhat inviting, but can not compensate enough for the harsh monoplane which creates it. 48 The design of a store front can support many functions, including those never intended. The raised flower beds on either side of this entry serve as impromptu seating (on left side leaving the frame). Their small size keeps people from lingering but offers the casual converser something to lean on. The bench in the forground provides a more comfortable option in front of this social storefront.
1). 2,4). 3). Equally important is how the tower meets the earth. When experiencing a tower the base holds less mystery. Either you 1. H. , 1922. 2. Chicago Tribue Tower Competition Entry, by Douglas D. 4 Ellington, 1922. 3. Chicago Tribue Tower Competition Entry, by Alois Augenfeld, 1922. 4. see it or you do not. Much of how the tower affects its surroundings depends on whether we see the base or if it ends “within” the building. When a tower ends “within” the building it marks the place, even from a distance.
These architectural elements will always be present and provide a consistency. The second element is a plane, continuous in plan and angled to be parallel with the facade facing into the plaza. The plane is defined to be a frame structure, not a solid barrier. It can be indoors, outdoors, or the divider between them; but shall be more open than closed. The entry door is always in this plane. The next element is the most flexible, that being 47 the display window. The window display can reach out towards the street, recess into the store, be elevated above the sidewalk, or not be present at all.
Architecture For Urbanity by Mark C Russin