By Ken McMahon, Nik Rawlinson
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Extra info for Apple Aperture 2. A Workfl ow Guide for Digital Photographers
If you have already made some edits to a photo and want to make another copy to be able to try an alternative set of adjustments, you have two options. O v will copy the currently selected Version and all of its adjustments to a new Version in the Stack, allowing you to pick up further adjustments from the point you have already reached without doing further edits to what could already be a perfectly tweaked Version. O g, meanwhile, creates a fresh copy of the original, untouched image, allowing you to start making adjustments from scratch giving you two distinct Versions that you can then go on to compare side by side.
Clustering all of these images together would have made it impossible to create such an easily navigable file structure, and would have necessitated greatly extended filenames to differentiate second versions of each file which would be impossible to separate for anyone manually trawling the directories as we do now. Fortunately, all of this is hidden inside Aperture itself, which makes a thorough understanding of the Library’s underlying directory structure unnecessary. All images are organized in the Projects panel and selected in the Browser, which presents lists or thumbnails of files below the main editing window, the Viewer (Fig.
Primary Only restricts the number of images you’ll work on when you have selected several of them at once. By dragging a selection around several images in a Browser, or C or S clicking more than one, you can move several images into the Viewer at one time. In this way you can batch-develop them simultaneously by applying adjustments across the whole selection rather than just one at a time. However, while this is perfect for initial editing, where you may need to correct a color cast or exposure problem across a whole session of photos, it is no good for making individual tweaks that would fix problems in just one.
Apple Aperture 2. A Workfl ow Guide for Digital Photographers by Ken McMahon, Nik Rawlinson